Atmospheric Perspective

September 12 - November 6th

Dovetail Reception : October 22 | 6 - 8 PM

What’s a Dovetail Reception?

Image credit : Prism of the Sky by Annieo Klaas

 

Atmospheric Perspective, a historic painting term,  refers to the effect the atmosphere has on the appearance of an object as it recedes into the distance. As distance increases, contrast and detail decrease, and colors of the object become less saturated and hazy. In this group exhibition, contemporary artists from all over the U.S. contemplate this idea as some render the landscape in a traditional sense, and others posit atmospheric perspective as metaphor for thinking about our environmental moment from varied vantage points. 

Come celebrate and grieve and contemplate and wonder at these many visual perspectives and join the conversation about what living in and caring for our world, together, can look like.

FEATURING work by:

Carl Aspenberg, Brandin Barón, Michael Baum, Raymond Bonavida, Joseph Canizales, Joe Cory, Jacob Cotton, Preston Craig, Thomas Crawford, Robert Creighton, Peter Cullum, Mark Dierker, Kendall Dorman, Jessica Dunne, Gigi Florek, Joan E. Gardner, Brittany Gilbert, Nick Gripp, C. Annie Hart, Annieo Klass, Arthur Koch, Cindy Konits, Gregory Lookerse, Kaitlin Merchant, Kristin Nalesnik, Mark Neumann, Michelle Paine, Collier Parker, Nancey Price, Britt Sondreal, Michael E. Stern, Jeff Tamblyn, G. Jackson Tanner, Eduardo Valdes, Emily Wilker, Michael Winters, Stefan Zoller,

Curated by Sarah Bernhardt.

Regular Gallery Hours: M-F, 12-6pm

Exhibition runs through November 6th


DIGITAL CATALOG

(Physical catalogs available for free as a thank you gift to all visitors to the gallery)


Dovetail Reception : October 22 | 6 - 8 PM


“No settled family or community has ever called its home place an “environment.” None has ever called its feeling for its home place “biocentric” or “anthropocentric.” None has ever thought of its connection to its home place as “ecological,” deep or shallow. The concepts and insights of the ecologists are of great usefulness in our predicament, and we can hardly escape the need to speak of “ecology” and “ecosystems.” But the terms themselves are culturally sterile. They come from the juiceless, abstract intellectuality of the universities which was invented to disconnect, displace, and disembody the mind. The real names of the environment are the names of rivers and river valleys; creeks, ridges, and mountains; towns and cities; lakes, woodlands, lanes, roads, creatures, and people.”

— Wendell Berry


From the curator


To Love Home

I’m thinking of you, my love.  You linger, always, brimming in that space that feels like an ungraspable cloud at the back of my head. Sometimes you rise and preoccupy the front of my thin gray cortex, sitting right atop the bones of my eyebrows, catching my eye, igniting my imagination, your presence looming.  Sometimes you swell in my chest, squeezing the left side beneath my breast with clutches of wonder and affection.  Sometimes you travel deeper and lower and stir in me a worry, and a hope. Sometimes you grip the calloused and tender soles of my feet against the firmness and softness of your own body, of which I am a part, to which I belong, to which I want to tend well.

My love, I am not a scientist who understands the spectacular patterns of your design, the character of each molecule, or the cold calculations and equations that compose your rhythms and idiosyncrasies.  I am not a scholar who can recite your many names in Latin, or recount your eons or epochs, nor a philosopher to expound on your cosmology. I am not a politician with an agenda to prescribe or policy to enact. I am not a poet, nor really much of an artist able to articulate the matters of your profound beauty.  But I am a human.  And all humans have love. As I do for you. And love letters are the place to say that love can change the world.  

So my love, I have gathered for you, for us, this collection of memorials and musings—a collection of love really, that has been given form. These forms sing my admirations, investigations, ponderings, confessions, longings, and commitments.  These materialized visions that touch the sweeping arc of our intricate love story are assembled here in this small corner of time and space to be shared with all those who also occupy this place with us, right here, right now.

I shall always love recounting first falling.  I love basking in those early feelings of your overwhelming presence. My eyes blurred with the rose-colored light of your shocking, radiant beauty.  Ten thousand tiny sparks, drawing me in closer, each one a unique and clear artifact waiting to be discovered, to be seen.  The grand vision of really knowing you was ungraspable then, and still, I know you will fascinate my curiosity until my last breath.  As if through a window I gazed upon you, a guarded interior built around me, mediating the exterior knowing of your ways.  And how shall I know you? How shall I learn every chamber of your heart, your loves, your needs, your desires?  

Ecologists and psychiatrists chase objectivity as a way of knowing, but how can understanding ever be complete without this messy subjectivity of feelings, of culture, of beauty? Without this hazy perspective of falling in love?  What if art and science linked arms to bring into focus, to melt away this dialectic of inside and outside, to nurture the depth of our relationship into a symbiotic place of deeper knowing?

Your beauty is undeniable. Serene.  Graceful.  Powerful. Your subtle shifting moods, plush verdant fertility, your grandeur, your hidden ways waiting to be discovered stir in me a thirst, a longing, a dream to be close to you.  Even the smallest details of you are sublime, like the succulent droplets on my window, each one a crystal ball containing and reflecting your whole self and myself contained within you.  And the wonders of what cannot be seen!  

The profound mystery of your inner-workings, your minutia draws me to you like Cupid’s arrow to its bullseye. How my mind works and turns, studies, and seeks your transcendence.  Not even one can deny your splendor; all are arrested by your beauty.  Does your idyllic nature have some fundamental, some universal essence to it? Surely not only I who adore you. Certainly, the “idyllic” must be a mutable notion, the western canon only painting a narrow picture of your many beautiful faces. And what is this notion of the ideal? A space uninterrupted, undisturbed? One of Homeostasis? Homogeny? Diversity? Balance? Reciprocity? Is there some sort of fundamental way that I belong to you, inside of you, not to exploit your rich resources, but to help steward them?   Your appeal is so deep and broad I need only ask another, to listen and to learn what it is that moves them, to in turn discover new ways of living to love you.  

Even as I have adored you, I must confess I have not always cared for you thusly.  I have filled you with a foreign light unlike the sun as you long for rest. I have made you run dry and exacerbated the storms of your fury like a lover scorned. As I have studied your essence at my feet or… 

…the expanse of your wonder, you filter through my own impediments and interruptions.

Your uncontained wildness contained in the grid of my own understanding, my own existence, my own convenience, my own gain and profit. I have compartmentalized and dissected and neglected and interrupted.  I have oriented you to myself, until there is hardly a scrap of space left for you in my design. I can feel your absence as my presence grows; you are relegated like some impossibly perfect portrait, a relic on my desk of your younger, more beautiful years past.  I have not tended you as the part of my own soul that you are, even when you have fed me and held all of my flourishing. You have never stopped loving me, despite my unfaithfulness.  Forgive me, my beloved.

I long for our restoration. To live in dissonance with you is a heartbreak I cannot bear.  I first conceived of this love letter at 30,000 feet from within a fraught metal torpedo hurling through your incredible space.  Alas, love is never uncomplicated. These images capture how it feels when I am above you, your crystalline wonder, sharp and uninhabitable, receding in hazy perspective stretched before me, a more magnificent creation than I can fathom. And I am small. And I wonder, how can I listen and learn to speak your language, to nurture ideals around preservation, caretaking, and mutual flourishing?  I must find small ways to return to gratitude. Small efforts to create fertile ground from my own refuse. Small ways to humbly connect myself back into your essence, to rekindle, to bloom with affection.

I’m longing for the day when the fine wrinkles across your forms appear to me like the holy shimmering of gold leaf, clinging like the very skin of heaven.  A day when memories of the care I have taken to preserve and conserve and celebrate your beauty–to recognize with gratitude your Creator–collect like the small tender threads of a precious cross stitch . fine translucent layers of fog, a slow accumulation of effort and love over time. A day when I have patiently come to know you deeply and from that knowing have learned how to care for you.  A day when these many questions have perhaps not found answers, but have left legacies of love for our children and children's children.

I have hope for our love story, my darling.  I’m so grateful for you, my magnificent wonder.

Love,

Sarah 


“You have been given questions to which you cannot be given answers. You will have to

live them out - perhaps a little at a time.'

And how long is that going to take?'

I don't know. As long as you live, perhaps.'

That could be a long time.'

I will tell you a further mystery,' he said. 'It may take longer.”

— Wendell Berry, Jayber Crow


More Thoughts:

To Love Home - A Letter from Sarah Bernhardt, Curator and Director - Intersect Arts Center

In the Peace of Wild Things: And Other Poems – Wendell Berry

Braiding Sweetgrass – Robin Wall Kimmerer

Center for the Care of Creation